Dancing Vinyl

Language & region

Delivery country

GDP

Cross Off Matthew LP

Run For Cover Records · SKU: RFC296LP-C4

Hip-Hop • Rap

Preorder • 23 Oct 2026

Tracklist

12 tracks
  • A1Another CountryNo preview
  • A2SeroquelNo preview
  • A3Island In The SkyNo preview
  • A4MezzanineNo preview
  • A5Holsten’sNo preview
  • A6Location TherapyNo preview
  • A7BippedNo preview
  • B1Undone (Feat. Fatboi Sharif)No preview
  • B2Rock For LightNo preview
  • B3Money For NothingNo preview
  • B4Ethereal SphereNo preview
  • B5Doom LoopNo preview

Release details

Artists

Labels

SKU

RFC296LP-C4

Genres

n/a

Condition

Mint (M)

Media Condition

Mint (M)

Sleeve Condition

Mint (M)

Format

1x Vinyl 12" 12inch Vinyl

Features

Ethereal Vinyl

Description

“Slide in the party like three monkeys wearing a trench,” GDP says in the opening seconds of Cross Off Matthew, his first solo album in over a decade. The line is indicative of the New Jersey emcee/ producer’s relationship with music, one that’s ebbed and flowed throughout his career and eclectic discography. Entirely self-produced, Cross Off Matthew feels like a reintroduction as well as an expansion of what makes the cult rapper so beloved. GDP came up in the respective punk, hardcore, and skateboarding scenes of New Jersey, roots that inspired his DIY approach to making hip-hop. He applied a decidedly punk ethos to his brand of neo- boom bap on early releases like 2009’s Realistic Expectations and 2011’s Useless Eaters, albums that celebrated his youthful indiscretions but also signaled an old soul lying beneath the surface. He opted to release them on punk/indie labels (including Run For Cover and Ride The Fury Records) instead of more traditional hip-hop outlets, and along with an ambitious touring schedule, he carved out a dedicated fanbase throughout the early 2010’s. Cross Off Matthew is a slow-cooked labor of love, born out of taking enough time away from something to understand the journey with greater perspective and appreciation.“I’m older, arguably wiser, but that creative fire stayed with me,” he says. “I wanted to make something that felt nuanced, something that I could feel proud of.” Throughout the album, the production toggles between foreboding and facetious just as deftly as his bars. Tracks like “Island In The Sky” and “Location Therapy” make rap confetti out of caustic guitars and glaring distortion, while “Seroquel” and “Rock For Light,” (the latter a nod to NJ rap royalty, The Outsidaz) embrace GDP’s signature blend of East Coast hip-hop and punk sensibilities, with lyrics that highlight the sharp wit and heady philosophizing that he made his name on. GDP examines vices, interpersonal relationships, the collective dread of late-stage capitalism as well as the pitfalls and rewards of trying to lead a creative life throughout it all. The wiseman that peaked out from beneath the shield of debauchery on his early releases has now come to the forefront, as GDP’s trademark humor and commentary feel refined by years of life lived experience