The Custodian Chapter 1

Description

The Memory A flash of light hits your eyes. Your ears hear muffled bass. As bright white fades to amber, you find yourself in a familiar place. A place you have been to many times. Though the edges of your memory are no longer sharp, the shape of it all is in your DNA. The smell of rusted metal, dirt-covered floors that once hosted workers, machines and industry mixed with spilled beer and the sweat of a thousand bodies moving to syncopated music. As your vision comes into focus, you’re back there. A warehouse in the former industrial part of town. You’re surrounded by hundreds of strange but familiar faces, each of you dancing into a frenzy countless times under the moonlight — moving, jumping, laughing and connecting. Sunlight pours through warehouse windows or appears over a distant horizon. The DJ plays a song that completes the journey you all just shared. You are desperate to hold on to the feeling of the last song that lands you safely from the night and into a new day. The feeling is deep. Pure. Especially when communal ecstasy is juxtaposed against the edges of the warehouse floors, the intimacy of city lofts, the spiritual nature of open fields or forests. The Custodian I spent just shy of two decades in spaces like that — as a raver in early 1990s Los Angeles, then a DJ, producer, label owner and head of Moulton Studios in San Francisco. The Custodian Project is a memoir of a life lived deep inside the culture and business of house music from 1990 to when I stepped away from music as a full-time life in 2015 — told through music, stories and DJ events. Each release of new music draws inspiration from feelings, emotions and memories of that life — different rooms, different eras. It is an exploration to understand and capture what those feelings were, and in some cases still are. The Music This EP is the beginning. 1990. When I first found the rave and re-ordered my DNA based on the sounds, songs and feelings of that era that can be summed up in the title track — Sunrise Through Warehouse Windows. All three tracks here are an attempt to reach back and touch those mornings again. To put the listener back in the warehouses or open spaces where we would dance as the sun rose over the horizon. To capture what I felt back in 1990 when the night transitioned into daybreak. Bodies moving in unison. People, places and music all connect. An era before algorithms. (tracklisting) A1 — Sunrise Through Warehouse Windows — 7:51 B1 — *Truly Amazing — 8:16 B2 — Sunrise Through Warehouse Windows (Floating Beatless Mix) — 4:20 Written and produced by Chris Lum for Abitare Music (ASCAP) * Written and produced by Chris Lum - Abitare Music (ASCAP) & Jay-J Hernandez Stopped in Time (ASCAP). Originally released on Leaf Recordings 2000