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Bradley Thomas Turner

Haunted Holiday Party LP

Library Of The Occult · SKU: LOTO057

Pop • Alternative • Folk • Indie

Preorder • 12 Dec 2026

Tracklist

17 tracks
  • 1Holiday Party at the Cryptozoological Museum (Entrance) 0:22 videoNo preview
  • 10Christmas Luau (Snack Bar) 02:37No preview
  • 11The Aritifical Aviary 01:04No preview
  • 12God Rest Their Souls (Closed for Renovations) 02:42No preview
  • 13Off-Limits Stairwell 01:14No preview
  • 14Deadly Night (Members Only Ritual Chamber) 02:48No preview
  • 15Cursed Artifiact Storage Room 01:21No preview
  • 16Carol of Hells Bells 02:53No preview
  • 17Escape 01:21No preview
  • 2Abominable Snowman 0:38No preview
  • 3Unholy Night - Mini Exhibit on Ritualistic Holiday Burnings 01:21No preview
  • 4Coventry Carol for the Dead (Exhibit Hall A - Human Sacrifice as Holiday Tradition) 02:8No preview
  • 5Hoofsteps Approaching (Mini Exhibit: Malfunctioning Yuletide Countdown Clocks) 01:06No preview
  • 6Krampus is Coming To Town - Exhibit Hall B 02:58No preview
  • 7A Last Noel (Mini Exhibit: Collection of Animatronic Christmas Decorations) 01:26No preview
  • 8Sugar Plum Faeries: Friends or Foes (Exhibit Hall C) 03:0No preview
  • 9The Bells Toll (Mini Exhibit: Collection of Vintage Holiday Carnival Games and Pinball Machines) 01:14No preview

Release details

Artists

Labels

SKU

LOTO057

Genres

Condition

Mint (M)

Media Condition

Mint (M)

Sleeve Condition

Mint (M)

Format

1x Vinyl 12" 12inch Vinyl

Features

n/a

Description

Following the release of Haunted House Party, Bradley Thomas Turner was contacted by the Cryptozoological Society of New York City to create music for their museum’s holiday exhibitions. As enigmatic as they are controversial, the secretive society gave the composer free rein to create music that celebrated their profane (and, according to their critics, pseudoscientific) explorations of the darker side of yuletide folklore. The endeavour was denounced by religious groups, the scientific community and even parts of the cryptozoological community as “blasphemous,” “irresponsible”, and “a dangerous topic to make light of” respectively. Not much is known about the pandemonium that broke out on the night of the opening reception, but one journalist (who has been granted anonymity by request) infiltrated the event and captured the recordings that follow. Death cult ritual? Mishandling of cursed artifacts? Elaborate practical joke? Publicity stunt? No one can (or will) say for sure as no person in attendance has been willing to speak on record. Therefore, we present these recordings so the general public can decide for themselves.

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